My work emerges from lived contradiction
—shaped by movement between Colombia and Germany,
between belief systems, environments, and structures of control.
It searches for tenderness in hard surfaces and for meaning within systems oscillating between control and entropy.

The body is rarely visible, yet remains present
—as imprint, pressure, resistance.
In works such as Time Moving Backwards Meets Time Moving Forward
and Feral Archives, industrial forms and organic processes meet:
escalator steps echo the spine under force; 3D-printed clay returns to the soil. Materials are not inert—they carry time, memory, and transformation.

Working across sculpture, performance, and immersive sound installations, I engage bodies, materials, and systems in processes of exchange, where perception becomes embodied.