top of page
SCROLL TO EXPLORE
My work emerges from lived contradiction
—shaped by movement between Colombia and Germany,
between belief systems, environments, and structures of control.
It searches for tenderness in hard surfaces and for meaning within systems oscillating between control and entropy.
The body is rarely visible, yet remains present
—as imprint, pressure, resistance.
In works such as Time Moving Backwards Meets Time Moving Forward
and Feral Archives, industrial forms and organic processes meet:
escalator steps echo the spine under force; 3D-printed clay returns to the soil. Materials are not inert—they carry time, memory, and transformation.
Working across sculpture, performance, and immersive sound installations, I engage bodies, materials, and systems in processes of exchange, where perception becomes embodied.
.jpg)
Tatiana Echeverri Fernandez explores how societal structures carve themselves into bodies, materials, and landscapes.
Her technospiritual rituals, reverse archaeologies, and investigations of machine intimacy navigate the uneasy entanglements of technology, nature, and the human body, inflected by the tension and dualism between her Colombian heritage and her lived reality in Germany. Working across sculpture, installation, performance, and research-based practices, she combines ceramic processes, digital fabrication, textile techniques, sound, and organic matter through experimental processes of transformation, imprint, and material interaction.
This research unfolds within the current research:
Feral Archives (2024–ongoing)
bottom of page